![]() We had seven stages there, plus a huge exterior bluescreen that was used for a couple of different sets. This is the same place we shot Ant-Man, Civil War, Guardians vol2, Infinity War, and Endgame. Scott continues, “We were at Trillith Studios, formerly known as Pinewood, just south of Atlanta. “As was their typical setup, the team installed the servers (Rack Hogs or HPUs) on each of the stages they were using. It's also been very nice to be able to use any of the Rack Hogs or HPUs as extra processors too.” The Rack Hogs were used for the lesser rigs. We used every bit of processing power those things could deliver! The show was loaded with lighting effects, and we must be a little more manageable with our Hog servers now, because we want to make sure that the HPUs get used on the stages that need them the most. ![]() Spider-Man was the perfect show to break in the new HPU. My systems tech, Derek Page, provided our standard Rack Hogs, I provided two HPUs, and then he ended up adding another HPU towards the beginning of our schedule. Well-known for his use of Hog 4 control on Marvel’s films and other movies, Barnes said he approached the shoot for No Way Home quite similarly as he has in the past, but with ‘the biggest addition and MVP of the show being the HPU processor’.īarnes explains, “I was fortunate enough to beta test the HPU during the pandemic lockdown, and even more fortunate to get the very first two off the assembly line to bring onboard Spider-Man. ![]() Scott Barnes Drives Hog 4 Rig and SolaHyBeam 3000s For Spider-Man: No Way HomeĮarlier this year, the filming of Marvel Studios’ newly released Spider Man: No Way Home found lighting programmer Scott Barnes once again firing up his trusty Hog 4 lighting control setup, as well as bringing some new Hog 4 HPU Hybrid Processor units for the production.
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